The Hood will exhibit nearly 100 prints from the collection of Judith and Joseph Barker ’66.

Professor Mary Coffey talks about why Orozco chose to paint “The Epic of American Civilization.”

More than 70 employees are participating in the seventh annual ArtWorks show in the Hopkins Center.

The murals are considered the most important work created in the U.S. by the famous Mexican artist.

Haitian business and government figures and artists visit Dartmouth to discuss collaborations.

Printmaker Amos Kennedy talks with NHPR about the word “artist,” why he calls himself a “humble negro printer,” and his work, which is known around the world.

In a radio interview, the Hood Museum of Art’s Stephen Gilchrist discusses his experience as curator of the Dartmouth exhibition “Crossing Cultures.”

Dartmouth Studio Art Professor Soo Sunny Park uses pieces of chain link fence, paper clips, and river rocks in her artwork that depicts the snowy landscape of Vermont.

Howard Morphy talks to Michael Taylor about the Hood Museum of Art’s exhibition “Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art.”

Will Owen and Harvey Wagner discovered Australian Aboriginal art in the 1980s, which led to their extensive collection and the exhibit at Dartmouth’s Hood Museum of Art.